Saturday, 23 November 2024
So, Zo... Strappy Vest Top II
SO, we've established I'm a big fan of this strappy vest top pattern from Zoe's blog, I'm sure it now comes as no surprise that I want to make loooads more with whatever fabric I have lying around.
This was my second vest top, which I made 2 years ago! (Another lifetime, literally...) I feel like I've been waiting that long for some proper summer weather, though the vest has now had multiple outings and is a firm travel-fave, fitting into suitcases, lending itself to layering and pairing up with literally any bottom half with ease.
Favourite things about this make:
* FIT - It's a simple one to get right, being only two pattern pieces, but it still feels like such a win cause it just fits SO WELL. The pattern is adaptable to pretty much any stretch fabric, whether you want a loungey team-with-jogging-bottoms-on-a-Sunday vest, or a glammy I-made-this-from-shiny-fabric-for-Friday-nights vest, I think pretty much anything is possible here. Crop it, lengthen it... make a vest dress! The pattern is so versatile
* This one also gives you the chance to build your skills and make your own binding. The instructions suggest using a fold over elastic for the trim and straps, which was a skill to learn in itself, but after ordering some orange FOE online and it arriving SO luminous that it could light up Blackpool at Christmas, I decided to cut a strip of my fabric and fold it into binding. Once you've got the piece cut and folded it pretty much behaves like elastic, but it's totally unique!
* Wardrobe staple. This vest can be teamed with pretty much anything. I'm a cardy kinda girl, and I can certify this vest pairs up perfectly with a cardy
Least favourite things:
*The fabric was SO stretchy and SO light that it dragged a bit on the overlocker, particulary in the seam allowance, does anyone know - does this mean I could do with changing the blade on my machine? Luckily I don't think you can tell at all from the outside
* The fabric is so stretchy I worry those straps will stretch out over time, but they are really easy to dettach/reattach should that be the case
* The thinness of the fabric was a concern when using the twin needle to hem the bottom, as sometimes fabrics with less integrity can bunch up and cause the thread to make a bit of a tunnel between the rows, To combat this I stitched the hem with some pattern paper on top then peeled it away (careful not to pull the stitches out of shape!). This made the rows more even and prevented any potential tunnelling.
Big thanks again to Zoe for the kick-ass parttern. I want to see you all raiding your stretch off-cuts to make your own So Zo vests ready for summer π΄πΊπ
x
Location: Meadowhall Road
Currently Listening to: 25th Floor, Patti Smith
* Final downside........ I had to re thread my overlocker to white to finish the make!!
Sunday, 8 September 2024
Simple Sew Patterns, Serena Dress
We finally got some sun! We've been waiting over 365 days for this and it's finally here! Cue a mad scrabble to the summer patterns!
The fabric is this super duper lush silk crepe de chine from Minerva πππ Obviously I was first drawn to it's safari style print, then browsing the Minerva site I got super excited about its evident drapey qualities. I wasn't disappointed when this arrived.
The silk crepe de chine was quick to dry, easy to iron and press, reluctant to fray unless you really ragged it around, easy to cut without it going wavy and easy to maniplulate. Literally an absolute dream to handle! The only thing I struggled with with this fabric was fusing interfacing - the interfacing seemed very reluctant to stick to the fabric, and if I applied more heat the fabric did seem prone to shrinking a little - just something to keep in mind!
Lets just go back to the print design, I love the simplicity of the line and the two tone black and faun kind of colour. I can feel a bit exposed in lighter colours, but this off white compliments my skin tone a little more and creates the safari vibe! Leaf prints are very on-trend right now, and who doesn't love a tiger ππ―
On to the pattern adjustments - I had made this pattern 2x before, but I found both dresses are looking a bit worn and have a slight fit issues that I wanted to address this time round.
Firstly, I committed a second dart to the bodice from the arm scye. Ive snook this on as an after thought in the past so knew it needed to be there from the start this time. With this in mind, I thought I would need to add a little length onto the bottom of the side of the bodice to make up for the fabric the dart took up. I then added this length onto the side panel and back piece to keep it even (I later found I'd over compensated somewhere as the bodice and side panel met at a bit of an angle that I needed to amend when I tried it on...).
I noticed a bit of gaping at the under arms on the side panels of my last attempt, so I squeezed out a 1-2cm triangle at the top of the panel pattern piece before I recut. This just meant I needed to slightly true the curve at the underarm when I cut the piece.
The back of the dress is made up of a shirred panel. I highly recommend drawing the lines on to follow first! In the past I have used the foot-width as a guide, but it all gets a bit crazy and wavy after you've added 4 lines of shirring, so it's best to follow a guide. The pattern has the shirring at 1.5cm intervals - I would probably change this to 1cm in the future to give it a bit more spring.
I used the folded over top edge of the backpanel to insert a piece of flat elastic. This wasnt included in the pattern, but either my shirring elastic was getting a little old (anyone know the lifecycle of shirring elastic??), or I could have done with some more lines, as the panel wasn't quite as 'grabby' as I would have ideally liked. To combat this, I did make the panel 10cm shorter before attaching into the side back seeam. The elastic worked well though, and I think I would include this next time just to add a bit more stability to the back.
To further increase stability, I interfaced the straps and the front and side of the bodice. The fabric is really light and a bit see through and I didnt want the piece I'd used as lining to show through.
I slightly altered the bust darts - The still start and end at the same place, but instead of looking like pyramids, they look like houses with rooves! I'm sure there's a name for this?? Essentailly the lines change angle half way up before they meet (creating the 'roof'!).
The adjustments I made made for a much better fit this time around! If I make Serena again, I would move the front straps inwards a little as they do sit a little bit wide on me, but I'm really really happy with the fit, particularly the bust darts.
I was terrified that the overlocker would mash up the fabric with it being so fine, but overlocker and fabric were both very well behaved. I finished the dress with a lovely little narrow hem that keeps it light and airy, washed off my water soluable pen marks from the back panel then I was out in the sun π
x
Location: Loxley
Currently listening to: Hot In The City, Billy Idol
I wanted to make something light and floaty and this pattern and fabric combo definitely hit the spot. The pattern is the Simple Sew Serena dress, however I've modified it in a few places - most notably the length π
The fabric is this super duper lush silk crepe de chine from Minerva πππ Obviously I was first drawn to it's safari style print, then browsing the Minerva site I got super excited about its evident drapey qualities. I wasn't disappointed when this arrived.
The silk crepe de chine was quick to dry, easy to iron and press, reluctant to fray unless you really ragged it around, easy to cut without it going wavy and easy to maniplulate. Literally an absolute dream to handle! The only thing I struggled with with this fabric was fusing interfacing - the interfacing seemed very reluctant to stick to the fabric, and if I applied more heat the fabric did seem prone to shrinking a little - just something to keep in mind!
Lets just go back to the print design, I love the simplicity of the line and the two tone black and faun kind of colour. I can feel a bit exposed in lighter colours, but this off white compliments my skin tone a little more and creates the safari vibe! Leaf prints are very on-trend right now, and who doesn't love a tiger ππ―
On to the pattern adjustments - I had made this pattern 2x before, but I found both dresses are looking a bit worn and have a slight fit issues that I wanted to address this time round.
Firstly, I committed a second dart to the bodice from the arm scye. Ive snook this on as an after thought in the past so knew it needed to be there from the start this time. With this in mind, I thought I would need to add a little length onto the bottom of the side of the bodice to make up for the fabric the dart took up. I then added this length onto the side panel and back piece to keep it even (I later found I'd over compensated somewhere as the bodice and side panel met at a bit of an angle that I needed to amend when I tried it on...).
I noticed a bit of gaping at the under arms on the side panels of my last attempt, so I squeezed out a 1-2cm triangle at the top of the panel pattern piece before I recut. This just meant I needed to slightly true the curve at the underarm when I cut the piece.
The back of the dress is made up of a shirred panel. I highly recommend drawing the lines on to follow first! In the past I have used the foot-width as a guide, but it all gets a bit crazy and wavy after you've added 4 lines of shirring, so it's best to follow a guide. The pattern has the shirring at 1.5cm intervals - I would probably change this to 1cm in the future to give it a bit more spring.
I used the folded over top edge of the backpanel to insert a piece of flat elastic. This wasnt included in the pattern, but either my shirring elastic was getting a little old (anyone know the lifecycle of shirring elastic??), or I could have done with some more lines, as the panel wasn't quite as 'grabby' as I would have ideally liked. To combat this, I did make the panel 10cm shorter before attaching into the side back seeam. The elastic worked well though, and I think I would include this next time just to add a bit more stability to the back.
To further increase stability, I interfaced the straps and the front and side of the bodice. The fabric is really light and a bit see through and I didnt want the piece I'd used as lining to show through.
I slightly altered the bust darts - The still start and end at the same place, but instead of looking like pyramids, they look like houses with rooves! I'm sure there's a name for this?? Essentailly the lines change angle half way up before they meet (creating the 'roof'!).
The adjustments I made made for a much better fit this time around! If I make Serena again, I would move the front straps inwards a little as they do sit a little bit wide on me, but I'm really really happy with the fit, particularly the bust darts.
I was terrified that the overlocker would mash up the fabric with it being so fine, but overlocker and fabric were both very well behaved. I finished the dress with a lovely little narrow hem that keeps it light and airy, washed off my water soluable pen marks from the back panel then I was out in the sun π
x
Location: Loxley
Currently listening to: Hot In The City, Billy Idol
Sunday, 14 July 2024
McCalls 6469, Polo T-Shirt
This was my second time using this pattern. For my first attempt, I hacked this ?pre-teen PE kit style top into a rib-knit polo dress. I really loved using rib-knit for this pattern, so I went on the hunt for another ribbed fabric that would suit it.
I found this stripy red and white ribbing in Hillsbrough Fine Fabrics and thought it could look suitably sporty. I used a little for my vest top / bodysuit hack at the end of last year and found it really easy to work with, so was excited to combine it with this pattern.
I think the pattern is desinged for that kind of waffley/basic polo top fabric, and designed to fit a bit loose, so I made a few alterations to the pattern to make it more fitted. I took 2cm out of the front piece and back piece by slicing the patten in a straight line from shoulder to hem, this took out 8cm in total but kept the integrity of the neckline at the front and back. All I had to do was smooth off the line from neck to shoulder.
Using the fabric stripes meant that I could ensure my pieces were symmetrical and also that the side seams would line up and match perfectly π
The hardest part of the top is that polo neck opening, it's pretty much the first step in the pattern, I like that we're thrown straight in there! That said, if you have marked your pieces well and you follow the instructions, the construction does make sense and the end result is very satisfying. Would not suggest winging it without transferring the pattern markings as I found these super essential.
Constuction from there on is as you would expect, shoulders, side seams, collar, sleeves, hem. I used a zig zag stitch on all of the seams to allow for stretch. I found the sleeve caps a little too large for the arm holes, even with substantial easing-in. If I use a similar fabric again next time I could get away with taking a little out of the sleeve width for easier easing and a slightly closer fit. I increased the under sleeve-seam seam allowance to 1.5cm, and I hemmed them flat before inserting them to the top.
This sportly lil top was a quick and satifying make, which is what I needed! Would love to make more on other coloured rib, (yellow and black anyone?), maybe play around with the length / add a bottom band for a different look.
x
Location: Arley Street, Sheffield
Currently listening to: I Like It, Cardi B
Sunday, 23 June 2024
New Look 6843, Mini skirt hack
The perfect mini skirt doesn't exist in shops. Clothes are so generically designed, that I've found it impossible to find the perfect fit.
In theory it should be easy, less than 70cm of fabric wrapped around my middle, but I find they always gape at the back, or flare out comically towards the hem. They sag at the front or they are a bit too long. Size down and they grasp like an elastic band around the waist, making meal times particularly uncomfortable.
That's why I was delighted when my efforts paid off in hacking the New Look 6843 skirt pattern into this perfectly fitted mini. I tested this already with my gold leather skirt last year - it proved to be a hit, but what I wanted now was a day-wear version that I was less scared of wearing π
The fabric was from the stash bins in Abakhan Manchester. I had been avoiding buying plaids for ages, simply due to a laziness that washed over me whenever I thought about pattern matching. I liked the dual sides to this fabric though, one side having this fibrous, wooly wintery look and the otherside being reminiscent of a pleated school uniform skirt. I knew which side I wanted the outside to be intantly, but I liked that there could be more than one option for any leftovers.
What I reminded myself, was that pattern matching with plaids can actually make the whole process easier, providing you cut out accurately in the first place. If you cut out symmetrically, sewing together is like matching up gridlines. The important places for me to pattern match were the horizontal lines at the side seams, and of course the centreback seam that would be spliced with the invisible zipper. The 2 back pieces must be prefectly symmetrical for this to work, and you must remember the seam allowance on the centre back pieces (ie, the two pieces must but cut from different parts of the fabric to allow for the seam allowance on both and the pattern to still match up).
The best way to ensure symmetry is to cut the pieces on a single layer, then flip the cut piece over and ensure all the 'gridlines' of the cut piece line up with the fabric below. This is made easier when the design is visible on both the front and the back of the fabric.
My take on the skirt pattern removes the waistband and opts for a hidden facing inside the skirt. I made sure this was well interfaced before stitching my fabrics together, as stability in the area likely to crinkle a little after being sat down in a few times is essential for a long lasting professional finish.
Attached to the facing on the inside is a satin lining, like a mini version of the skirt as the facing inside creates length too. There are tucks where the outside skirt has darts to allow for both shaping and movement.
The zipper was fiddly, in as much as I wanted a perfect pattern match down the centre back, and although my first attempt was neatly sewn and a good fit, there match was a few millimitres out. Any seamstress will relate to that frustration. I unpicked and realigned. But then, I never expected to get it right first time ha!
After zipper came the hem, as I wanted to see the skirt zipped up and sitting where it would be sitting on my hips before I made a commitment to thre length. Annoyingly, I was more than happy with the length already, which meant I had to choose a hemming option that would use minimal fabric. I turned it up 1.5cm, and then turned the raw edge under to meet the crease. The result was a narrow hem than this kind of skirt suited, but I was particularly happy with the effect of my blind hem which I stitched by hand. If I should find the hem to be lumpy or unsecure after a few wears I will unpick, overlock and turn the hem back over 1x before blind hemming again. But fingers crossed my narrow little hem will stay in place.
My lovely little mini skirt! So versatile! So chic! I want a million in all the different wool blends! Using less than 70cm of fabric also makes this pattern a fab little stash-buster π₯°π
That's why I was delighted when my efforts paid off in hacking the New Look 6843 skirt pattern into this perfectly fitted mini. I tested this already with my gold leather skirt last year - it proved to be a hit, but what I wanted now was a day-wear version that I was less scared of wearing π
The fabric was from the stash bins in Abakhan Manchester. I had been avoiding buying plaids for ages, simply due to a laziness that washed over me whenever I thought about pattern matching. I liked the dual sides to this fabric though, one side having this fibrous, wooly wintery look and the otherside being reminiscent of a pleated school uniform skirt. I knew which side I wanted the outside to be intantly, but I liked that there could be more than one option for any leftovers.
What I reminded myself, was that pattern matching with plaids can actually make the whole process easier, providing you cut out accurately in the first place. If you cut out symmetrically, sewing together is like matching up gridlines. The important places for me to pattern match were the horizontal lines at the side seams, and of course the centreback seam that would be spliced with the invisible zipper. The 2 back pieces must be prefectly symmetrical for this to work, and you must remember the seam allowance on the centre back pieces (ie, the two pieces must but cut from different parts of the fabric to allow for the seam allowance on both and the pattern to still match up).
The best way to ensure symmetry is to cut the pieces on a single layer, then flip the cut piece over and ensure all the 'gridlines' of the cut piece line up with the fabric below. This is made easier when the design is visible on both the front and the back of the fabric.
My take on the skirt pattern removes the waistband and opts for a hidden facing inside the skirt. I made sure this was well interfaced before stitching my fabrics together, as stability in the area likely to crinkle a little after being sat down in a few times is essential for a long lasting professional finish.
Attached to the facing on the inside is a satin lining, like a mini version of the skirt as the facing inside creates length too. There are tucks where the outside skirt has darts to allow for both shaping and movement.
The zipper was fiddly, in as much as I wanted a perfect pattern match down the centre back, and although my first attempt was neatly sewn and a good fit, there match was a few millimitres out. Any seamstress will relate to that frustration. I unpicked and realigned. But then, I never expected to get it right first time ha!
After zipper came the hem, as I wanted to see the skirt zipped up and sitting where it would be sitting on my hips before I made a commitment to thre length. Annoyingly, I was more than happy with the length already, which meant I had to choose a hemming option that would use minimal fabric. I turned it up 1.5cm, and then turned the raw edge under to meet the crease. The result was a narrow hem than this kind of skirt suited, but I was particularly happy with the effect of my blind hem which I stitched by hand. If I should find the hem to be lumpy or unsecure after a few wears I will unpick, overlock and turn the hem back over 1x before blind hemming again. But fingers crossed my narrow little hem will stay in place.
My lovely little mini skirt! So versatile! So chic! I want a million in all the different wool blends! Using less than 70cm of fabric also makes this pattern a fab little stash-buster π₯°π
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